Grotesque moulded jug cut for mounting. Intagliod, Byzantine decoration. In fine crystal or green cased & cut through all bright.
Oval Stembing Claret & stopper, in Rock Crystal work. Listed elsewhere as Design No. 5. Executed by Joshua Hodgetts, dated 08/04/1898.
Amethyst two handled vase coated in wax and carved in the cameo style. A competition piece entitled “Cupid and Psyche”; executed by Frederick Carder, dated 1888.
Amber/white glass circular plaque; white is carved away in a design depicting Pegasus between a torch carrying naked god and flimsily clad goddess carrying an olive branch, above the waves; details are unfinished; entitled “The Immortality of the Arts”; signed “F. Carder”.
Cameo fish vase. Pattern 29696, book 29 designed by Carder, executed by Hodgetts, dated 11/3/1902.
Competition cameo vase, The Muses, wax on dark blue ground. Executed by Frederick Carder. Image courtesy of Corning Museum of Glass, New York.
Drawing from Frederick Carder’s sketch book dated 1899, showing fish and reed design used with pattern
Cased Poppy over white cameo vase. Pattern 13403, book 11, dated 12/1/1888. Image courtesy of Corning Museum of Glass, New York.
Rockingham over ivory carved cameo with acid etched design to background and border decoration. Northwood, dated 1887.
Rockingham over ivory acid cut cameo. A Carder design given the name Intarsia. Pattern 13265, book 11, dated 1/11/1887.
